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Pokrovka Theatre headed by Sergey Artsibashev (Moscow)

Building 1, 50 Pokrovka Street, Moscow (tel.: +7 495 917-02-63), Metro stations: "Kurskaya", "Chkalovskaya", "Krasniye vorota".

Map

http://www.napokrovke.ru

The Russia's State Pokrovka Theatre headed by Sergey Artsibashev (the Theatre, for short) was opened in September of 1991. Sergey Artsibashev is recognised to be one of the leaders among the 40-year-old stage directors. He was a student of Maria Knebel, graduated from the Lunacharsky Institute for Theatre Arts (GITIS), and took lessons in practical skills from Yuri Lubimov and Anatoly Efros who headed searches of the 1970s and 1980s. He made his debut in 1980 as a director and actor on the stage of the Taganka Theatre with a performance The Small Orchestra of Hope… based on the one-act plays by Alexander Volodin, Semyon Zlotnikov, and Ludmila Petrushevskaya. Independence and another world view distinguished Sergey Artsibashev from that poetic and political theatre created by Yuri Lubimov. However, Lubimov found Artsibashev to be not just a talented but also professional person.

Artsibashev started creating his own theatre from the very beginning. Then, this idea was rather aesthetic. After the Theatre appeared, the idea fixed and became a new phase in the work of the director Sergey Artsibashev and in art development of small stages and chamber theatres.

One of the most famous plays by Anton Chekhov, Three Sisters, was chosen for the debut. Sergey Artsibashev had stored both common cultural and his own theatrical knowledge to stage this play. A director makes a performance as a joint effort between a playwright, an actor and a spectator. He adapts the action both for spectators' participation in the performance itself and perception of the performance by people of today. The further fortune of the Theatre, its creative style and paths of development depended on the debut result that exceeded all expectations.

The Theatre's repertoire does not include anything accidental or one-day. It is based on Russian classics such as Nikolai Gogol, Aleksander Ostrovsky, Anton Chekhov, Ivan Turgenev, Aleksander Pushkin, Sergey Artshibashev, and Marina Tsvetayeva. The director reads himself into the author and creates another world, theatrical one. The director Artsibashev does not endeavour to surprise his spectator but just opens up another Chekhov, another Gogol, another Ostrovsky, and another Turgenev.

In the Theatre, classical literature is not imaginative and well-known any more. Characters of classical drama become contemporary company. Aggiornamento is not a way of being outrageous but different interpretation, when the director uses all means of the modern Theatre and pushes the boat of Russian speech and music, expressive faces, dances and everyday moves, clear soul runs and virtuosic performance out.

Drama of might-have-been illusions multiplied by fear is The Government Inspector by Nikolay Gogol. A Month in the Country by Ivan Turgenev, Marriage by Nikolay Gogol. In these plays, the director crystallizes out and gives an edge to another important subject of love and dislove.

It is very difficult to explain with one sentence the genre of Russian classics which Artsibashev and his Theatre are intent on. This is an exquisite comedy play, and fantastic grotesque, and drama of people's relationships, and tragedy of true Russian character. This is a fancy of theatre aesthetics full of ideas of both the great reformer of Russian theatre Konstantin Stanislavsky, whose system is carefully supported by Sergey Artsibashev, and experience of the entire world theatre. For twelve seasons of the Theatre's creative research, it sidestepped from the contemporary drama. Such plays as The Small Orchestra of Hope by Alexander Volodin, Semyon Zlotnikov, and Ludmila Petrushevskaya, The Shepherd by A. Maksimov, My Poor Marat by Aleksey Arbuzov, The Dream by Stig Dalager, Five Evenings by Alexander Volodin, and Elder Son by Alexander Vampilov are highly ranked in the Theatre's repertoire. A contemporary play is not a reason for Sergey Artsibashev to speak up on topics of the day. It is also not a wish to fall for illusive political scandals. But he continues talking about a person and his or her place, tragic and comic principles inherent in every character regardless of age, registration or position.

In 1992, Sergey Artsibashev became an Honoured Art Worker of Russia. In 1996, he was awarded the Russian Federation State Prize in Literature and Art for production of classical repertoire. The Theatre's actors became Honoured Artists of Russia and Honoured Culture Workers of Russia. In 2000, the director and actors of the performance Marriage were awarded the Russian Federation State Prize in Literature and Art.

The Pokrovka Theatre, that is a synonym of the Artsibashev's Theatre, took a good place in the Moscow theatre life. Today, this is an accomplished professional team with its inimitable style.

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Pokrovka Theatre headed by Sergey Artsibashev



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